walterhisownself’s posterous

Shel Dorf, architect of San Diego Comic-Con, dies http://is.gd/4OVcH #comics

Loading mentions Retweet

Comments [0]

Thinking about Steampunk

Years ago I read William Gibson & Bruce Sterling's The Difference Engine and immediately loved the steampunk milieu. It's a work that divides fandom into those who feel that The Difference Engine is a fractured novel, and the others, like myself, who enjoyed the narrative even toward the gimmicky end. It is worth a read, twenty years later, if you've never experienced it. Since then, there have been numerous other authors who have grown the subgenre. I'm not saying that Gibson and Sterling where the first, that honor should probably go to James Blaylock, but The Difference Engine was the first steampunk novel I had ever read. And since it was written by two well-know authors at the time, it could very well be the initiator of the steampunk zeitgeist we are experiencing today.
 
This month, near its end, marked science fiction & fantasy publisher TOR's "Steampunk Month." They have a few titles available for sale at a discount and I'd like to offer my brief thoughts on the ones that I have read:
 
Freak Angels by Warren Ellis & Paul Duffield: They're a loose band of superheroes, or something akin to being more than mere mortals, and they live in an England after the world ended. It's been a free web comic for quite a while, and has recently be collected into two volumes. Well worth a read. Try out the web comic if you're hesitant or not deep into steampunk.
 
Girl Genius by Kaja and Phil Foglio: A fun-filled comic filled with mad scientists, steam mecha and a heroine not to be missed. This is a great comic. Don't miss it now that it's being collected into omnibus editions.
 
Perdido Street Station by China Mieville: A rich, atmospheric novel where the mere setting breathes with life grander and more haunting then the residents. I recommend this and all of Mieville's work.
 
The Adventures of Luther Arkwright by Bryan Talbot: Experience Victorian sensibilities in the hands of comics artist and writer Bryan Talbot and the hero Luther Arkwright in a multiverse of secret agents and villians. I love it.
 
The Anubis Gates by Tim Powers: Powers is one of my favorite authors and I don't miss any of his writings, and neither should you. Start with this one, you won't be disappointed.
 
The League of Extraordinary Gentlemen by Alan Moore: Moore's work is simply profound. You shouldn't pass this one up. It includes a group of fictional characters who band together to fight forces of evil and fully captures Victorian attitudes while telling a great yarn.
 
The Steampunk Trilogy by Paul Di Filippo: After I devoured The Difference Engine during my college's exam week (it was a great stress reliever), I immediately went on a search for more steampunk. The Steampunk Trilogy was what I encountered next. It's collection of three novellas and blurs the lines between fantasy and steampunk scifi. I was hooked and didn't look back.
 
Then there's also the others, the early stuff, that could be called the early-works, though great works none-the-less, like H.G. Wells' The Time Machine, and Jules Verne's Journey to the Centre of the Earth and Twenty Thousand Leagues Under the Sea ("20,000 leaguessss! That's pretty deep, Captain!"). These books are to modern era steampunk as the New York Dolls and The Velvet Underground are to late 70s punk rock: they set the stage for the punkers like The Clash and Sex Pistols, Stiff Little Fingers and The Buzzcocks.
 
Well, enough brief reviews for now. Next time, Steampunk Games.
 
 

Loading mentions Retweet

Comments [0]

Dr. Cornell West is signing books @ Waldenbooks in CNN Center Atlanta from noon to 2PM today.

Loading mentions Retweet

Comments [0]

Let's honor the 40th anniversary of the Internet's 1st message with a "LO and Behold!"

Loading mentions Retweet

Comments [0]

Are you a "pragmatic" author? Are you up for the Prag Pro Wri Mo challenge?

It seems that NaNoWriMo has inspired those with a technical, and pragmatic, bent to declare November "Prag Pro Wri Mo."
 
Are you a technical writer, software developer, project manager or just a "git r done" practitioner with several ounces of hacker spirit? If so, then "Prag Pro Wri Mo" just may be the writing challenge for you.
 
 

Loading mentions Retweet

Comments [0]

Anyone participating in NaNoWriMo (National Novel Writing Month) during November? #writing

It's a rapid fire, fun-filled challenge to produce a 175-page (50,000 word) novel in the spirit of the "24-hour comic," or the "48-hour film project."
 
Are you up to the challenge?
 
Participation details are here.
 
 

Loading mentions Retweet

Comments [0]

Happy 95th Birthday Anniversary, Martin Gardner! http://en.wikipedia.org/wiki/Martin_Gardner

Loading mentions Retweet

Comments [0]

With Story, We Face the Infinite

In the realm of mathematics Georg Cantor and Kurt Gödel faced it.  But what of creative types?  What of writers?  Is infinity part of the storyteller's world too?

I claim, with boldness, that it is.

The action of translating fleeting, ephemeral thoughts into the corporeal words of story is an act of godlike agency.  For when the writer is faced with the expanse of infinite possibilities of potential stories, it's then that the creative forces imbued in the Vulcan furnaces of the storyteller's mind dance in a revelry of celebration.

Story creation permits the writer a glimpse at the expanse of infinity.  It represents possibilities, and we are a band of thieves on a quest lead by Prometheus to bring the jewels of great story to the written page, the spoken word, the cinema's screen.

The infinite ravelment is woven into the stories we create.  Give two storytellers the same ingredients and out will come two very different stories.  The infinite is universal, the stories we create are how we instantiate it.  Alone against the infinite expanse, we choose the possibilities and share it with the world in the form of story.

Face infinity and create story! 

Loading mentions Retweet

Comments [0]

Why I Write

Why I write.

The short answer is quite simple:

I have no choice.

But that's not the answer you're looking for.  The long answer, since you asked, is complex, but not complicated.

I write because writing allows me to make sense of the world, of this existence.  Writing is the one act that permits me the freedom to tell you my thoughts about the human condition, but more importantly, it allows me to tell "me" my thoughts about the human condition.  I, like the rest of us, have a curious mind.  I wonder why it is we are here.  What is our purpose?  What is the extent of our existence?  And how best can we learn to live together with each other and with the other elements of the natural world.

If there's one thing we can count on, it's that life is full of constant change.  I'm fine with the fact that everything is in constant flux.  Growing up, I had the opportunity to call numerous places home.  I had to learn to make new friends and understand the process of friendship.  I don't claim to be an expert at it, hell, to this day I consider myself a novice with regard to relationships.

This world, the only one we have, has existed long before us.  And it will probably exist long after we are gone.  Even with all our technological wonder, all our advances in medicine, all our knowledge of natural phenomena, we still continue to marvel at the mystery that the world presents to us.  There's so much we don't know, and it's out there for us to discover.  We all wish to understand this world.  To make sense of the joy and wickedness we experience, to live out our lives to their fullest.

Since the dawn of our existence, storytellers have been among us.  Our stories once existed in the oracular tradition, and yet, today with multimedia stories, we still seek the same answers to our questions.  The fundamental questions.  The questions that get us closer to the answers we all seek.

I'm no different than you and seek the answers you want too.  I want to make sense of the world, of our existence.  For me, the way to do it is through expressing myself freely.  Free expression is an inherent characteristic of humanity.  We are all born with sucking, grasping and a desire to express our individuality.  Our will.  How we choose to do it is up to us.  But the desire serves that same purpose.  It's a mechanism for us to make sense of the world.

I choose to do it in writing.  Whether I had an audience or not, I'd still write.  I've also painted before, and I still take pictures.  But primarily I write.  It is my personal mechanism for gathering the troops and taking on the mysteries of existence.  Why do we love?  What are the  many facets of love?  Why do we hate?  Why envy?  I'm interested in these questions, and numerous more.  I'm interested in the infinite ways that we respond to these questions.  Why one individual's answers are distinct, and diametrically opposed to another individual's answers.  Even maternal twins, individuals with exact copies of one another's DNA, are different.  Encountering different viewpoints, encountering answers that  surprise us, that scare us, and are different from our answers can help us figure out our individual answers.  For, we may not agree, but through my interaction with you, I may strengthen my answers, or I may be convinced that my answer was wrong and see some truth in your answer.

We've all hear that writers have a "god complex." It's true.  Storytellers enjoy creating lives that they can play with like Olympian deities.  Characters let us present different viewpoints to the answers we seek.  Their interactions in an imaginary milieu allow the storyteller to get those answers he seeks.  Or if not the answers, then to get closer to the answers.

I want to be close to the answers.  In fact, I need to make sense of the world.  At times I feel that I'd probably loose my mind if I did attempt to make sense of it.  And I'm not proud to claim that my answers are the truth or even remotely resemble the truth.  But they are answers none the less.  The adventure to find those answers is not an easy one.  I've never expected the journey to be easy, or expect that it will ever get easy.  Part of what we storytellers do is research.  It's a requirement of the job.  I'm not speaking of research like browsing the Web.  Research can easily take that form, and it's often the starting point for us all here in the 21st century.  I'm not even speaking about simply reading some non-fiction books on a subject or question we have which continues to nag us.  Though research of this form is certainly enriching.  I'm talking about the deep exploration that we storytellers must do by examining our own lives, our individual experiences, our tragedies, our hopes, our desires, and discovering the answers within our beings.  The ugly, naked truths that are beneath years of calluses we've erected due to disappointments, heartbreak, or foolishness.  We've all done stupid things in our lives; actions or decisions we're not proud of.  It's typically not until many years later that we figure out why we actually did what we did in that situation.  For writers, the act of writing is how we get those answers.

The challenge is that many things cannot be accurately represented in words.  Feelings.  So there's the challenge.  We use words as a primary form of communication, yet it's difficult to express what we mean with words.  I know there are other forms of expression that serve the same purpose of granting us the channel to express the answers we seek: dance, music, art.  But, words, written and verbal, remain our primary form of expression.  It's the duty of writers to take these syntactic constructs and conjure works of art to marvel and amaze, to entertain and fundamentally provide us with the answers we seek.

This is what I aim to do.  And this is why I write.

Hey, you asked for the long answer!

Now go seek out your answers.

Loading mentions Retweet

Comments [0]

Universal Pictures chairmen Marc Shmuger, David Linde ousted from studio #film

After a prolonged box-office slump, too many high-cost movies and executive turmoil, Universal Pictures chairmen Marc Shmuger and David Linde have been ousted as the studio's top movie lieutenants.


Rather than recruit an outsider for the top movie job, Universal Studios President Ron Meyer has promoted two insiders to succeed the duo. The studio's marketing chief, Adam Fogelson, has been named chairman, and production president Donna Langley as co-chairman, reporting to Fogelson.


Meyer is banking on the pair to reverse the studio's box-office slump and end the infighting that's disrupted the studio's executive suites for several months.


More at: http://www.latimes.com/

Loading mentions Retweet

Comments [0]